Indian Collectors Art

A folio on the embroidered pictures of India

The art of the embroidered picture.

Indian embroidery is most often studied on cloth that was worn, hung or carried in ceremony. The framed embroidered picture, made to be read as an image, is a less familiar branch of the tradition. This folio examines one such work, The Vase by Sheikh Shams Uddin of Agra, together with the records that accompany it.

PlateThe VaseMade inAgraCompleted1970s
Plate I
The Vase by Sheikh Shams Uddin, framed silk embroidery of a bouquet in a jewelled vessel
The Vase · Sheikh Shams Uddin of Agra

Reading the surface

Four ways into a single work.

Plate I · i

Composition

The composition is organised on a vertical axis. A dense bouquet of roses, chrysanthemums and smaller blooms rises from a footed vessel and spreads across a dark ground, so that colour and relief are read against shadow.

The Vase, full view
Plate I · ii

Silk in relief

The flowers are worked in silk raised from the ground. The direction of the stitch follows the form of each petal, and it is this change of direction, rather than any painted shading, that allows light to describe the shape.

A rose in raised silk
Plate I · iii

The vessel

The vessel is constructed from successive embroidered bands. The family declaration records emerald cabochons, rubies, pearls and turquoise among its materials, each held in a mount of coiled thread.

Gem set bands of the vessel
Plate I · iv

The inscription

At the foot of the work the maker has embroidered his name and city: Shams, Agra, India. The inscription binds the object to a named artist and a place of making.

Embroidered inscription Shams, Agra, India
The Vase, full view
A rose in raised silk
Gem set bands of the vessel
Embroidered inscription Shams, Agra, India
I / IV

The folio

Three studies, one object.

The maker

Sheikh Shams Uddin of Agra.

1989

Sheikh Shams Uddin worked in Agra, a city long associated with zardozi, the Indian embroidery tradition built on metallic thread. The family biography places him within a line of embroiderers and records ceremonial work by earlier generations for King George V and the British royal household.

The Government of India's Padma Awards notification for 1989 lists Sheikh Shams Uddin of Agra for zari embroidery. The Padma Shri is among the country's highest civilian honours.

An official honour recorded against a named embroiderer is uncommon in a field where most makers remain anonymous.

A photograph in the family archive is identified in the family biography as the artist receiving recognition from Indira Gandhi. Condé Nast Traveller, writing in 2022, reports that he was also honoured by Ronald Reagan.

His achievement lies in moving the technique from ornament to picture: silk raised into relief, set beside gem materials and densely worked borders, composed to be framed and read.

Blue chrysanthemum in raised silk
Raised silk
Green cabochon in a coiled thread mount
Cabochon mount
A row of embroidered stone settings
Stone settings
The embroidered bouquet in detail
The bouquet
King George V and Queen Mary, historical portrait
Royal context

Continue the folio

The catalogue entry.

Open Study I